Friday, June 28, 2019

SPX90 Repair

This repair would probably have taken someone who knows what they're doing about 5 minutes... it took me significantly longer than that. 

Many years ago, I got this Yamaha SPX90 as a throw-in when I bought my Tascam 246 Tape machine. It hasn't gotten that much use over the years - occasionally I would use it on the effects send of my headphone mixer to give singers a little reverb in their headphones, but that was about it. It always worked when I needed it to, until recently when I plugged it in and got nothing, no lights on the front panel at all.

I opened it up, put a voltmeter on the power supply rails and could see that it was not outputting any of the required voltages. The internal fuse was fine, though. This has a switch-mode power supply which is not a design I've ever worked on or troubleshot before. So, I did a little research first (this article by Scott Dorsey, in particular, was helpful) and then started hunting down sources of the issue.


The first thing I looked at was Q1, which is the main high current switching transistor that feeds the main transformer. I pulled it out and sure enough, it was shorted. This is a 2SC2555, which are no longer made but I found some NOS ones on ebay. Once those showed up, I put one in, and still nothing. At this point, I knew I should really get systematic and check everything in the circuit. I started with the other transistors, and discovered that Q2 was also kaput. This is a 2SD1207, also obsolete. I checked all the diodes, there are quite a few, and all those checked OK. Then I started looking at passive components. I discovered that R2, which directly follows the bridge rectifier and feeds the entire circuit, was failed open. So that would explain a significant reason that the supply wasn't working.

I decided that if I was going to be replacing a bunch of parts I should do the large filter capacitor, so I put together a Mouser order with the power resistor and the capacitor, and a substitute for Q2 that I thought was reasonable - not a pinout match but similar specs, or so I thought.

When all that stuff arrived, I loaded them into the board and applied power. The switching circuit fired up, but before I could even verify voltages, most of the electrolytic caps on the low voltage side of the supply let out their magic smoke. I guess my slick substitute transistor was not a great idea. I was really careful to modify it for the correct B-C-E arrangement, but I think there was some other specification that I overlooked that was causing trouble. Not something I am experienced enough to diagnose.



Once all the low voltage caps were removed, I made yet another order to get the replacements (even ones that hadn't popped). I sprang for low ESR Panasonics, since I read this is a good idea.


Here is the PS board waiting for its new capacitors and the replacement Q2 that I got off ebay - correct part this time.
Here is the board with all the components installed and back in the chassis. That long metal bar that connects the power switch to the front panel is a real pain, since it requires the removal of the front panel to get the PS board in and out. I assume it's set up this way to keep the mains voltage wiring segregated to the back corner of the chassis and away from the audio signals. I tested the supply voltages with the headers disconnected, and all the rails looked good!

It's alive! Now I can make all my cool lo-fi 80s gated reverb drum sounds that this thing has in its presets. Next time I have to mess with a switching power supply, I will hopefully not make so many mistakes. Overall, this probably cost me $25 or so in parts and shipping. Part of that is the sellers of these obsolete transistors make you buy more than 1.

When I got the SPX90, I also got  a lot of documentation. In addition to the manual, I also got these:
The one on the left has some pretty funny stuff in it. Here are my two faves:


Saturday, June 22, 2019

Archive Project: Heated Demo


I played drums in Heated for a while - the band was moderately active but never managed to find its groove with regular shows. We did this demo tape in the spring of '17, and also recorded a lot more songs for an LP a year later that remain unreleased, and to my knowledge never even finished getting mixed. The demo recording was another practice space affair, on the third floor at Superior Street. It's hard to track a band when you're also playing drums.


Friday, June 21, 2019

Archive Project: Distract/Warrior Tribes Split CS


This tape feels like a marker of a specific heyday in Chicago DIY. Both bands were doing tons of fun shows and the project of putting them on the same tape made perfect sense. We did this in one day in 2013 at my place, with one setup for both bands (there might have been some switching of guitar amps, but that's about it).


Archive Project: Kontaminat Demo



I am not sure if this 2011 recording ever had a proper physical release. I can't find a copy in my collection. This was a great band and revisiting this recording, I think it does a good job of capturing their sound and energy. Also, someone (not sure who) mastered this before they put it online and it definitely improved things.

Archive Project: Split Feet - Shame Parade CS

I enjoyed working on this recording - a bit more sonic space between the instruments than the typical band I've had the opportunity to work with. This let me play around with textures a lot more in the mix. Mastered by Kris Poulin.



Archive Project: Sospechosos Demo Cassette



This tape is something I worked on relatively early on, and it looks like information about this tape is pretty scarce on the internet. I believe the band stopped being active around 2012.

Here is a rad review by Robert Collins for his blog Terminal Escape, which is an amazing trove of information on punk and hardcore released on cassette format in the past decade.


Recent Project: Udusic, Long in the Tooth




This session was a lot of fun- I've loved this band since they first got going and it was great to be asked to work with them. We did 4 covers for this release, and a few demos of new material that haven't had a formal release yet although I think one is available on their bandcamp page. We tracked the instruments in their practice space, and did vocals and mix at my place. Sara set up in the bathroom down the hall from the control room, which if nothing else was convenient. The liner notes in this tape are a fun read. Mastered by Will Killingsworth.

Wednesday, June 19, 2019

Recent Project: Eephus Demo


This demo, like many of my projects, was recorded in the band's practice space and mixed at my place. RIP Eephus...

Archive Project: Warrior Tribes S/T EP



I recorded and mixed this EP in 2015. Mastering by Daniel Husayn.

Recent Project: Endless Column LP



This LP was recorded in December 2015 by Kris Poulin, onto 16 track tape. The entire session was brought into Pro Tools and I did the mixes over the next 6 months or so, with frequent long breaks between sessions. I also play guitar and sing on this record, as well as providing some percussion backups and organ parts. It was mastered by Daniel Husayn AKA North London bomb Factory. The vinyl version was released on Erste Theke Tontraeger Records in 2019.

Recent Project: S/T EP, by Primitive Teeth


I recorded and mixed these 5 songs in the winter of 2017/18 and the tape was released in 2019.
Mastered by Daniel Husayn

A nice mention from Bandcamp: https://daily.bandcamp.com/2019/05/28/best-punk-on-bandcamp-may-2019/



Consensus Madness 7"

 Consensus Madness will be putting out two releases this year that I have been part of. First is this 7" on Iron Lung Records, which I ...